![]() Last but not least, 65 patch positions result from the provided matrix, offering users a wide range of possibilities. Offering a visual analog of a physical controller, MIDI Patchbay is equipped with a series of 16 controls, 8 for the inputs and 8 for the outputs, as well as dedicated commands for controlling pitch, magnitude, and other relevant parameters. Furthermore, through the mapping process, users will basically route the signal to the application’s actual, internal input, and outputs. MIDI Patchbay is a specialized application that was developed specifically in order to provide users with a series of tools for working with the signal to and from their MIDI device, through means of splitting, merging, or applying filters, in accordance to their characteristic requirements.īuilt around an 8 by 8 MIDI interface, the controller will allow one to map all MIDI ports, regardless if we’re talking about the virtual or actual, physical ones, on the audio equipment. Not to mention the hassle of adequately linking the same signal traces to any accompanying software, in order to achieve better control over the physical equipment. Kawai made one that is pretty inexpensive - I forgot the model number (MAV-8, maybe). Great for live situations or in the studio where each setup may be different, this interface is the choice of top industry professionals who inevitably have the most demanding studio and live. ![]() It also has 2 MIDI INs and 2 MIDI OUTs on the front panel (where as most patch bays' ins & outs are on the rear) along with additional INs & OUTs on the rear. OMS patches are stored in the Studio 5LX RAM, which lets it function as a standalone MIDI patchbay/processor without the Mac connected. ![]() Working with MIDI controllers on multiple channels can pose serious challenges, especially when it comes to splitting or merging the signal. The Roland A-880 is an easy patch bay to use.
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